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Fatih Arslan published a tour of lamps in his home, including designs by Artemide, Isamu Noguchi and Louis Poulsen. He says the pieces are costly, but describes collecting them as a personal interest distinct from buying a lamp simply to light a room.
Designer lamp collector Fatih Arslan published a tour of the lamps in his home on October 5, describing pieces by Artemide, Isamu Noguchi and Louis Poulsen and the design histories behind them. The report offers a personal account of why he collects the lamps, while acknowledging their high prices and pointing readers to vintage shops and fairs as possible places to find them for less.
Arslan says he often shares lamps on social media and is regularly asked about their brands and models. His collection includes a Tolomeo Mini, designed by Michele De Lucchi and Giancarlo Fassina in 1987, and a Tizio Micro, a smaller version of Richard Sapper’s 1972 design. He has made an adaptor to attach his Tolomeo to a USM Haller desk.
Several pieces are from Noguchi’s Akari series, which began in 1951. Arslan describes owning the 1A, 3A, 16A and 75A models. He says he bought the 16A first and later moved it from his office to his bedroom; the larger 75A now occupies its former place. He also describes the 3A as 56 centimeters tall and says it suits a low table, sideboard or cabinet.
The tour also covers two lamps by Danish designer Poul Henningsen: the PH 5, designed in 1958, and the PH 3/2, which uses a three-shade system. Arslan says he accidentally broke the PH 3/2’s glass and waited months for a replacement. The final item in the supplied report is an AJ wall lamp, designed by Arne Jacobsen in 1957 for Copenhagen’s SAS Royal Hotel. Arslan says he likes that it can be tilted.
Design Stories Behind the Lamps
The report connects familiar household objects to the people and ideas behind their designs. Arslan says the Tolomeo is widely copied, and notes that the Akari lamps combine washi paper with sculptural forms. His descriptions also explain practical differences: he values the Tizio’s adjustable, balanced arms and the PH 5’s layered shades, which keep the bulb out of direct view.
Arslan is clear that the collection is a personal choice, not a value judgment about what readers should buy. He writes that the lamps are expensive and are “probably not” worth their price, but that they are worth it to him. He distinguishes collecting from buying a lamp just to illuminate a room, and says IKEA offers well-designed options at perhaps a tenth of the price. That framing makes the tour useful to readers interested in design without presenting costly pieces as necessities.
designer table lamps Artemide Isamu Noguchi Louis Poulsen
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From Desk Lamps to Akari
Arslan’s selections span designs introduced between 1925 and 1987, according to his account. Henningsen developed his three-shade system in 1925; the PH 3/2 was the first lamp to use it, and, Arslan says, won a gold medal at the Paris exhibition that year. The PH 5 followed in 1958 and uses the same general principle of multiple shades to soften light.
Noguchi began the Akari series after visiting Gifu, Japan, a city known for paper lanterns, Arslan writes. He says the lamps are still made by hand at Ozeki, a family-run workshop in Gifu, using traditional methods. Arslan also notes that authentic Akari lamps carry a red sun-and-moon stamp. He says Noguchi designed more than 100 models in the series.
The report is grounded in Arslan’s own home and preferences. He says he acquired the Akari 1A secondhand in Germany, while the PH 5 first caught his attention in the Danish film Another Round. His comments about how a lamp fits a particular room or surface are personal assessments rather than product tests.
““At a certain point, it becomes more like collecting, and collecting things is very different from just having a lamp to illuminate a room.””
— Fatih Arslan
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The Tour’s Missing Details
The supplied report ends partway through its description of the AJ wall lamp, after Arslan says he sometimes points it in a particular direction. The rest of that sentence and any further lamp entries are unavailable in the source material. The report does not provide a complete inventory, purchase prices or a valuation of the collection. It also does not compare the lamps’ light output, energy use or durability.
Arslan’s descriptions of the Akari production process and the designs’ histories are presented in his personal report; the source material does not include separate statements from the designers’ estates, manufacturers or historians. His comments about affordability and suitability reflect his own experience and preferences.
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More Details May Follow
The supplied material gives no publication schedule or indication that Arslan plans a follow-up. Readers seeking the full description of the AJ wall lamp or any additional entries can consult the original report, published October 5, 2026. Arslan’s article also suggests vintage shops and fairs as places to look for these designs at lower prices, though it gives no specific sellers, availability or price ranges.
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Key Questions
Who wrote the lamp tour?
Fatih Arslan wrote the personal tour, published October 5, 2026.
Which lamps are described?
The supplied report names an Artemide Tolomeo Mini, a Tizio Micro, four Akari models, a Louis Poulsen PH 5, a PH 3/2 and an AJ wall lamp.
Does Arslan say the lamps are worth their price?
He says they are probably not worth their price in general, but are worth it to him personally as a collector. He also points to IKEA and secondhand shops as lower-cost options.
What is not covered in the available report?
The supplied text cuts off during the AJ wall lamp description. It does not give a full inventory, purchase prices or technical comparisons of the lamps.
Source: hn
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